mobius verse:10




I drove through Kapuskasing
with a zombie in the trunk,
I found him in a topless bar,
pretending to be drunk.


I drove through Kapuskasing
with my phasers set to stun,
there’s nothing so insidious
as turning into one.


I drove through Kapuskasing
in a stolen chevrolet,
I remember deja vu
like it was yesterday.


I drove through Kapuskasing
to avoid the third world war,
exuding toxic chemicals
from every single pore.


I drove through Kapuskasing
with a man named Oberon,
he said to put the hammer down,
and baby, I was gone.


I drove through Kapuskasing
with a suitcase full of gold,
shivering a little
in this f-f-frigging cold.


I drove through Kapuskasing
with a bottle in my hand,
bowing to temptation
in this never-never land.


I drove through Kapuskasing
in an alcoholic haze,
glowing like a firefly
in oh so many ways.


I drove through Kapuskasing
in a diamond-studded bra,
the devil gave me apples,
but that’s not against the law.


I drove through Kapuskasing,
my virginity intact,
the thin veneer of purity,
ever so slightly cracked.


I drove through Kapuskasing
with a map to paradise,
the devil gives directions,
but you have to pay the price.


I drove through Kapuskasing
for the twenty-seventh time,
the bobble-headed Elvis
was as silent as a mime.


I drove through Kapuskasing
with a rose between my teeth,
I stripped the skin from beauty
to reveal the bones beneath.


I drove through Kapuskasing
past the point of no return,
I whacked him with a cricket bat,
but zombies never learn.



mt forest
August 2013
#208


tidal to the moon verse:13




The pencil-pushers wipe their hands
across their crimson lips,
they lick the blood of angels
from their sticky fingertips.


They stare at you with vacant eyes
that never seem to blink,
they sign their names in triplicate,
and teeter on the brink.


The fashionistas call their friends
a hundred times a day,
they stammer their desires,
since they don’t know what to say.


They sleep in beds they make themselves,
the sheets are clean, but torn,
they prick their fingers bloody
on the sharp ecstatic thorn.


The clock controls their every move,
they curse its fluid name,
they metronome their beating hearts,
but every day’s the same.


Their rhythms are predictable,
they’re tidal to the moon,
they stagger down the street like zombies,
singing sorrow’s tune.


Chaos is their only answer,
(winter’s charms aside),
they use the ancient art of exhumation
as their guide.


They fill the empty spaces in their lives
with lemon tea,
glasses smudged with fingerprints
make beauty hard to see.


They weave their spells from sticky threads,
it’s all they have of love,
ouija boards and voodoo dolls
is what they’re dying of.


They paint the town on Friday nights,
the music never ends,
they bind their hands, with comical results,
and curse their friends.


Their hearts believe in magic,
they’re a generation lost,
their pencils dull with adding up
the night’s elusive cost.


The pencil-pushers love their dolls
in every shape and size,
the flames of love’s desires lost
lie dormant in their eyes.


Their waiters bring them watermelon
laced with alcohol,
the chances of them ever going home
are very small.


They’re autobiographical,
convincingly direct,
they’d love to dance the tango,
but they just can’t stand erect.


They take their time with everything,
they can’t afford mistakes,
as fragile as existence is,
it’s only bone that breaks.


Ribs protrude at angles odd,
opaque beneath the skin,
fruit lies rotten on the ground,
they eat, but still, they’re thin.


They tell their tales in monotone,
but no one knows the truth,
they crunch the bones of nameless wingless birds,
and break a tooth.


Their glasses fog with every breath,
they curse their vanity,
the surface rust of glitter makes
their faces hard to see.


They wax their legs and burn their bras,
they dream, because they can,
they said I was a fount of information,
for a man.


Their constant chatter makes me sad,
they sing like dying whales,
they chase the sun across the moon,
but beauty always fails.


The undertakers wears a hat,
his cheeks are powdered pink,
desire makes the organ of eternal darkness
shrink.


They add inflation to the list,
then multiply by two,
when summer came, the scattered seeds
of yellow roses grew.


My fingers moved so fast that I
could not control their art,
silver thread and golden needles
stitched the devil’s heart.


I drew a face, then crossed it out,
it never comes out right,
maybe I’m the one who needs
the mirror’s moonlit night.


I drew a face as pale as death,
it always looks the same,
the architecture underneath the flesh
is not to blame.


Maybe it’s geometry, or maybe it’s just
bone,
the heart that never sheds a drop of blood,
cannot be sewn.



mt forest

July 21 2015

#374


anchor #185



She moves like the world leans hard to the right,
a ship on a circular sea,
she's chained to the memory shrouded in mist,
the blood-red desire, and me.


Her voice is a reptile shedding its skin,
a bird in a rib cage of gold,
she makes a sound like a tick-tocking clock,
as the memories around her unfold.


She slept with her head at the foot of the bed,
her dreams lost their way in the dark,
they wandered around the bedroom at night,
erasing the day's gilded mark.


She's hidden the past in a small wooden box,
it's empty, except for a key,
it opens the door to a room full of mirrors,
tilting precariously.


There's a stone on her grave in the shape of a heart
from the land of the long white cloud,
I can hear her whispering fragmented words,
wrapped in the earth's muddy shroud.


She rides a black horse through the fires of hell,
the devil is calling her name,
her heart is a prisoner tied to a stake,
burning alive in the flame.


She moves like the world leans hard to the left,
her bones tumble out of her grave,
they dance with the devil on seven-inch heels,
since this is how bad bones behave.


The world spins around like a merry-go-round,
it's hard to stand up at the poles,
I'm waiting for all of the bones to come up
from their luminous underground holes.

 

mt forest.

 

This poem was inspired by my mother, Trudy Small, a fantastic artist.  I was with her when she was having a stroke, but I didn't recognize the symptoms, until they were too obvious to miss.   We'd been out for a walk in the village, and she was having real problems walking.  Then she started to lean to the left, then she seemed o.k. when I finally got her home.  After dinner, I went into the kitchen for 1 minute to get some blackberries and ice cream for dessert, and when I came back, she was lying on the floor.  She looked comfortable, like she'd just decided to lie on the carpet for a nap, but when Dad and I picked her up, it was obvious, finally, what had happened.  She passed away 4 years later.  In the painting, she's "dancing with the devil on seven-inch heels, since this is how bad bones behave".  She had a slightly wicked sense of humor, and if anyone would do something like this, it would be her.  The stone on her grave from the land of the long white cloud, is a heart-shaped stone from New Zealand.  Because her left side was weak, and the bedroom was too small to move the bed to another position, she slept with the pillow at the foot of the bed, to make it easier for her to get in and out of bed.  When I start a poem, I have no idea what it's going to be about, or where it's going to end up.  The nightgown was made by stenciling paint through an old lace curtain.


This is the whole painting, with the text.


This is the beginning of the image. 


dancing skeleton bag  copyright jo forrest 2020

I made some labels for these Halloween treat bags from the dancing skeleton painting. It was fun to do.