the graveyard of the moon #499 verse: 14

Time adds pain to observation,

beauty does the math,

I saw you with your hair on fire,

floating in the bath.


 

Acrylic on canvas, 30 x 40", unfinished.

Me in the bathtub, layer 1.  Bottecelli's Venus as inspiration for the hair.

Me in the bathtub, layer 1.  Bottecelli's Venus as inspiration for the hair.


Layer 2.  You can see the ghost of the word 'floating' at the top left side of the canvas.

Layer 2.  You can see the ghost of the word 'floating' at the top left side of the canvas.


Adding flames to the hair.  This is going to take a while.


A bit more work done.  Still a long way from finished.

A bit more work done.  Still a long way from finished.


Close up.  Getting there. 

Close up.  Getting there.

 


Added some pink to the skin. 

Added some pink to the skin. 


Darker pink. Some dark grey.  I still have to do the top half of the painting.  The text will be last.

Darker pink. Some dark grey.  I still have to do the top half of the painting.  The text will be last.


Did the text, another layer of lighter pink, and the inside top of the tub.  I'm happy with it now.I'll probably do a bit more before I say it's finished.  I have two good ideas for the next two paintings.  I can't wait to start them.…

Did the text, another layer of lighter pink, and the inside top of the tub.  I'm happy with it now.

I'll probably do a bit more before I say it's finished.  I have two good ideas for the next two paintings.  I can't wait to start them.  One of them involves me, dressed as the Venus de Milo, with my arms painted black.  The other one is the devil, my favourite metaphor.


Changed the colour of the text, added a few more details, the blue area behind my head isn't finished yet.  Added little flickers of flame.  Getting there.

Changed the colour of the text, added a few more details, the blue area behind my head isn't finished yet.  Added little flickers of flame.  Getting there.


Decided the background needed more detail.  It's not finished yet.  Also, the text needs a little something. 

Decided the background needed more detail.  It's not finished yet.  Also, the text needs a little something.

 


One more layer.  Added little white dots to the lettering, but I'm not sure that's enough.


Outlined the lettering in black.  Did some more on the blue area.  I've attached the tag to the back of the painting with the text, and signed it, so it's either finished, or very close to it.


Bottecelli's Venus.

Bottecelli's Venus.


Original photograph.  Set the camera, get in the bathtub, pose, get out of the bathtub, set camera, get back into the bathtub...repeat 30 times.  Do it again the next day with water in the tub.  Discard all of those ones. 

Original photograph.  Set the camera, get in the bathtub, pose, get out of the bathtub, set camera, get back into the bathtub...repeat 30 times.  Do it again the next day with water in the tub.  Discard all of those ones. 

the circus of the walking dead #240 verse:1



The psychopaths are in control,
we follow them like sheep,
but we have vengeance in our hearts,
and promises to keep.


The psychopaths are in control,
we follow them like sheep,
but we have vengeance in our hearts,
and promises to keep.


The circus clowns jump through the hoops,
(the tigers are extinct),
(though no one wearing tiger skins
admits the two are linked).


Women dressed as butterflies
ride horses painted blue,
chained to love’s continuum,
their dreams are coming true.


Underneath the glitter
is an underwire bra,
we all obey the gravity
of Newton’s second law.


They draw attention to themselves,
the better to be seen,
it’s hard to blend into the background
wearing neoprene.


We’re mesmerized by naked flesh,
we won’t pretend we’re not,
desire’s soft albino skin
replaces conscious thought.


The acrobats will not perform
without a safety net,
we complain, but for a dollar,
this is all you get.


The smell of popcorn fills the air,
we lick our fingers clean,
words slide sideways off your tongue,
but we know what you mean.


Virtue wears a human face,
it’s guilt that wears a mask,
whether we’re possessed or not
depends on who you ask.


The Circus of the Walking Dead
suspends our disbelief,
they violate their own commandments,
much to our relief.


Contortionists turn inside out,
their scarlet hearts revealed,
and though I know the secret codes,
my ruby lips are sealed.


The belly dancers raise the dead,
it’s what they’re born to do,
we’ll all be dancing with the devil
by the time they’re through.


The fire-eaters don’t inhale,
the smoke is thick and sweet,
even Satan’s frozen heart
is melting in the heat.


The television’s black and white,
the rabbit ears are bent,
every night we watch the man without a tongue
repent.


He waits behind the velvet curtain,
smoking cigarettes,
I tell myself that this is as
chaotic as it gets.


The tent folds up into a box,
by morning we’ll be gone,
we’re naked and invisible
without our faces on.


We navigate the labyrinth,
they tell me love is blind,
the man behind the curtain breaks my heart,
but I don’t mind.


My head is full of cotton candy,
bubbles and champagne,
there’s nothing so impossible to live without
as pain.


mt forest

2017

#240


"the circus of the walking dead" was a response to the prevailing political climate of the times.  I wish we could choose our leaders with a bit more common sense.  The text was inspired by Frost's 1923 poem "Stopping by woods on a snowy evening".  "The woods are lovely, dark and deep, but I have promises to keep, and miles to go before I sleep, and miles to go before I sleep".

please stand by...

"the paper mausoleum" #496 verse:3

A china doll with missing eyes

lay naked in a box,

who am I to argue with

the gravity of clocks?


Step one.  This is a painting from a photograph I took of a doll in an antique store.  It didn't have any eyes, which I found interesting.  June 3 '17.

Step one.  This is a painting from a photograph I took of a doll in an antique store.  It didn't have any eyes, which I found interesting.  June 3 '17.


I stayed up 'til 3 working on it.  This is the start.  It's 30 x 40", on a deep stretcher.  I stretched the canvas myself, and mixed some burned umber paint into the gesso to tint it.  The lines for the arm, and the nose are all that you can see of that now. 


Layer 3.  So far, so good.  I'll lighten the cheeks a bit on the next layer.  The lips look better here than they do in real life.


Up 'til 3 again.  I like the cheeks, even though they're more abstracted than the photo. 

Up 'til 3 again.  I like the cheeks, even though they're more abstracted than the photo. 


Second layer on the cheeks.  Looking better. 


Added the text, and some blue to the eyes, and pink to the body.  Gettin' there.

Added the text, and some blue to the eyes, and pink to the body.  Gettin' there.

Added another layer to the box.  I'm going to say this is finished.  I went to Michael's and bought a new canvas, so that's a good sign.  I've initialed the side of the canvas, but I normally sign the back, which I haven't done yet.&n…

Added another layer to the box.  I'm going to say this is finished.  I went to Michael's and bought a new canvas, so that's a good sign.  I've initialed the side of the canvas, but I normally sign the back, which I haven't done yet. 


doll's head painting June 8.jpg

A few more small changes.  Maybe now it's finished.


This is the original photo I took.  I wish here eyes were lying beside her in the box.  Hmmmmm.......

This is the original photo I took.  I wish here eyes were lying beside her in the box.  Hmmmmm.......

Welcome to the machine

Hi,  Here are a few of my paintings and poems.  I have been thinking about doing a website for a couple of years now, but kept putting it off because I thought it would be a bit too difficult to do.    I decided to go ahead and do my best anyway.  I will add more images as time goes on.  At the moment I'm doing a painting of a burned out grain silo, from a photograph I took of one, just down the road from me.  I take photos of the painting every day, so I can catalog the process.  This is step one:


and step two:

It takes at least 3 or more layers of paint for it to look good.  Sometimes I do a lot more, because I change my mind part way through. 

The text reads: "but love will fade away, away, it that's all dreaming does".   I experimented with doing some of it in Lettraset, which is tricky to apply to the uneven surface of a painted canvas.  (Not shown in this photo).  The larger text I print from the computer and trace onto the surface, then hand paint it.  It's slow, but I like it.  The next photo will show the grey wall behind the text altered to go around the word "if" better.  Sometimes I can do a painting in 3 days, sometimes it takes 3 weeks.  I have one painting of a peach, which you would think would be a relatively simple painting, but I've done multiple layers, and I still don't like it. 

I'm interested in the process of making art as well as the finished project.  I watch every program on TV I can about the artistic process.  There's a good one on now, on PBS, called Craft in America.  I am always inspired by seeing work that's better than I can do.  I watched a show on an American photographer named Vivian Maier, which I liked.  Talk about obsession.  Last night there was one about a Toronto photographer named Barbara Cole.  She does fantastic photographs of people underwater.  Truly amazing. 

Right, I'm off to make another chair cushion for the dining room.  I have to change the fabric since I painted the room blue.  I did one yesterday, and that was enough sewing for me for one day.  5 more to go.  Stay tuned for more images of the burned silo.  Thanks for listening.


Layer 3.  There's going to be a bit of thrashing around here, I can tell.  Some parts I like, some parts I don't.  I just keep repainting areas until I like them, then move on to the next area.  I find it hard to paint the same w…

Layer 3.  There's going to be a bit of thrashing around here, I can tell.  Some parts I like, some parts I don't.  I just keep repainting areas until I like them, then move on to the next area.  I find it hard to paint the same way from one day to the next sometimes. 


Layer 4.  I simplified the middle bit and added a second layer to the dark side.  The top still needs more work.  Sometimes I only work for half an hour or so, so not much gets done.  

Layer 4.  I simplified the middle bit and added a second layer to the dark side.  The top still needs more work.  Sometimes I only work for half an hour or so, so not much gets done. 

 


May 9th.  I started out late last night to just paint one small section, and finished at 2 a.m.  The problem with painting is it's addictive.  If I like the way things are working out, then I just keep going. 

May 9th.  I started out late last night to just paint one small section, and finished at 2 a.m.  The problem with painting is it's addictive.  If I like the way things are working out, then I just keep going. 


I added more grey paint to the rock walls.

I added more grey paint to the rock walls.


This is a close up of the added grey...no, still not right.  The black structure is actually an old burned bed frame, and some metal piled up together.  The yellow and blue are just for fun.

This is a close up of the added grey...no, still not right.  The black structure is actually an old burned bed frame, and some metal piled up together.  The yellow and blue are just for fun.


This is more like it.  Up 'til 2 a.m. working on it, but now I'm happy. 

This is more like it.  Up 'til 2 a.m. working on it, but now I'm happy.

 


Layer 2, turning up the volume a little.


The left side, not finished, but it's a start.  Up 'til 3 a.m.  Wrote 'til 4, finally went to bed.


Added a small flame and some smoke to the top of the silo. 


The walls, and the added flame.  Still not finished, but it's slowly morphing into something I like.


Up 'til 3 working on the bottom left side, and the sky.  The bottom left is still too busy, so I'll have to simplify it some more.  I like the sky. 

Up 'til 3 working on the bottom left side, and the sky.  The bottom left is still too busy, so I'll have to simplify it some more.  I like the sky. 


Did some more work on the sky, not finished yet.  I don't like the white wave thing at the bottom left.  It's getting there though. 


Close up.  The spiral is a tornado, seen from above, or below.  I've always been afraid of them, since The Wizard of Oz movie. 

Close up.  The spiral is a tornado, seen from above, or below.  I've always been afraid of them, since The Wizard of Oz movie.

 


I think this is probably finished.  I have signed the back, so that means I'm pretty sure I'm done.

I think this is probably finished.  I have signed the back, so that means I'm pretty sure I'm done.


On second thought, the left side still needed some work.  Still not sure if it's finished or not.

On second thought, the left side still needed some work.  Still not sure if it's finished or not.


O.k.  Maybe this is it.  I bridged the two rock walls at the bottom and added a few small details.  I'll have to sit and look at it for a while to spot any areas that don't look right.


This is the original photo I was working from.

This is the original photo I was working from.

Artist's statement #2


Mixed media collage.  Small oval recycled frame from the thrift shop, glass glob, photograph of my eye, old map from a calendar, paint.

Mixed media collage.  Small oval recycled frame from the thrift shop, glass glob, photograph of my eye, old map from a calendar, paint.

This is the victory of time over memory,

Leonard Cohen's right, poems should be sung,

they should be celluloid ghosts trapped in amber,

Call Tim Burton and k.d. lang,

tell them I'm coming.

Listen,

even when you speak,

you sing.


mt forest.


Artist's statement #3


Mixed media collage in the lid of a corned beef tin.  Found objects, glass glob with photograph of my eye, tag, beads, paint.

Mixed media collage in the lid of a corned beef tin.  Found objects, glass glob with photograph of my eye, tag, beads, paint.

Memory is a celluloid ghost trapped in amber,

time wears a crown of dinosaur bones,

victory burns the book of the dead,

words are satan's voodoo dolls,

death counts backwards from ten,

love is a satellite in a decaying orbit.

I sing like a machine,

heavy...

metal.


mt forest.


Mixed-media collages

Altered dolls.

Altered doll.  Cheesecloth, gold thread, beads, curtain tie-back, shell, bone, pearls.


Altered doll. Air-dry clay, gold paint, beads, wire, found plastic wings, gold foil.

Altered doll. Air-dry clay, gold paint, beads, wire, found plastic wings, gold foil.


Mixed-media collage.  Wooden box, anatomical model, paint, texture medium, wooden blocks, text, beads.


"Has outrageous buttocks".  Mixed-media collage on found wood.  Watch parts, beads, text, acrylic paint, copper, plastic skull.


June 14 2019.  Mixed media assemblage.

My husband is making wooden plugs to cover the screw heads on the new front porch. He was going to throw the bit of wood with the holes in it out, imagine that. Wood, stones, shells, plastic clothes peg from the beach in New Zealand, glass marbles, odd bits of metal, bones, text, chandelier parts, fairy pin.


sonambulist

This is a small assemblage made from discarded bits of drilled wood, wooden letters, a twig, a plastic eye, and a bottle top I found on the road.


memento vitae

I call these bottles, memento vitae. This one is from Long Point, Ont. I got the wine carafe from the Keg. The top is a lens I got from a store in Wincey Mills, in Paris. I printed the tag.


Memento vitae interior. Long Point, Ont.  Jo Forrest.

Sand, glitter, shells, bone, butterfly wings, beads.


'the book of the dead, volume 2'

 'the book of the dead, volume 2'.  Mixed media collage, acrylic paint on photo album. Moose vertebrae, plastic dollar store skulls, found objects, shelf, board.

Honorable Mention, Lindsay Gallery, Annual Juried Show, July 2013.































a heart that beats for love alone


It's not a star, it's not a fish,

it's not the missing link,

it's just the heart of love's salvation,

vitrified in pink.




A heart that beats for love alone
is easily deceived,
the lonely bear the burden,
if the dead can be believed.


Every object ever made
will crumble into dust,
we consecrate the darkness,
but our hearts will not combust.


Silence was our first defense,
we never said a word,
we slipped into a lucid dream,
our sad confessions slurred.


You held us in the clear and present danger
of your gaze,
we’re tired of the beauty of infinity
these days.


At night we shun the crescent moon
and all her doubtful scars,
above us, there are cold machines
adrift among the stars.


The constellations crowd the sky,
the moon reflects the light,
the eye that sheds a million tears
see shadows in the night.


The ghost of something mythical
escaped into the sea,
it bred its local population
exponentially.


It’s not a star, it’s not a fish,
it’s not a missing link,
it’s just the heart of love’s salvation,
vitrified in pink.


Coral grows on everything,
it blunts our perfect teeth,
squint, and you will recognize
the scaffolding beneath.


I wrote a letter to the king,
I licked the stamp and ran,
I want to be the shadow of
an ordinary man.


We curl inside our spiral shells,
our bodies soft and pink,
wither me with random words,
I’m smaller than you think.


Death comes in and flips a coin,
it glitters in the sun,
he winnows every fairy tale of darkness
down to one.


Sleep with me beneath the moon,
enveloped and afraid,
we’ll slide our fingers slowly down
the moon’s unblemished blade.


Resurrect the sleeping dead
and hold them in your arms,
immune you are, and ravished by
their incandescent charms.


Fill the empty spaces in your heart
with neon light,
go to bed and burn for ruin,
every single night.


The heart that beats for solid gold
maintains a cool reserve,
the sentimental valentine
is more than we deserve.


Fables are the heart’s reward,
we lived to tell the tale,
how cautious is the demon
in the belly of the whale.


There’s love and death and entropy,
there’s nothing in between,
if you’re the king of all that burns,
then I’m the gasoline.


Find me when the sun goes down,
we’ll dig your muddy grave,
the heart that burns for pleasure
is impossible to save.


Wear a wreath of stolen bones,
remember who you are,
know that you were molten
in the belly of a star.


Stare at death with glowing eyes,
he’s come to lift the veil,
his horse stands lonely by his side,
in moonlit pastures pale.


Curse the dark and fall asleep,
your dreams will fossilize,
you’ll have to learn to live without their wisdom,
otherwise.


Dreams rebuild the tower from a past
that never was,
but love will fade away,
away,
if that’s all dreaming does.



mt forest
January 14 2017
#473


This painting was done from a photograph I took of a giant starfish in Punta Cana.

the eighth circle of hell

My studio, aka 'the 8th circle of hell'.

My studio, aka 'the 8th circle of hell'.


studio   c  jo forrest 2020

I moved the wire shelf that was in the dining room down into my studio. I need a good clean up down there. I did throw 2 bags of garbage out, so that’s a start.


Studio  c  jo forrest  Aug 27 2020

Just a bit of a mess.


bones don't lie verse:15




Stop
looking through the mirror
into the past.


remorse
is beyond incantation’s power
to mend,
no matter how many goats
you sacrifice
to the god of
vanity.


no surgeon
can exorcise the baited
barbed hooks.


those voices
are sticky,
beyond the reach
of any physicians
steel blade.


you need another kind of
necromancer
for that.


you cover yourself in scars
for the benefit
of strangers,
but I
see
you.


we grew out of adolescence
like swans,
origamied
from plain
white
paper.
but you,
shrunken and hollow,
did not.


no fingers
caressed your
alien
geometry.


you can’t heal
an emotional problem
with a physical solution.


that’s rule number four.


none of us are blind
to euphoria’s
contagion,
except you and your
sequined barbie doll army,
your faces rearranged
into a blank
smiling
anonymity.


blood alone
is not enough
to pay the devil.


I can smell your spitted
and roasting heart
from here,
sweating a clear
oceanic plasma
over white
powdered
embers.


split your tongue
right down the middle,
it won’t stop
the reverberating
echoes.


babe,
we all have
x-ray vision,
and
bones...
don’t
lie.



mt forest
January 24 2015
#322


This image came from a photograph of a deer skull that my friend Ian gave me.  I like skeletons, and bones.  I find them sculptural and beautiful.  I have a small collection of bones of different kinds. 

the never-ending prophecy verse:14



The devil says he’s sorry,
but it doesn’t mean a thing,
you offered him an apple
for a feather from his wing.

A fire burns inside his heart,
a flame that grows and grows,
burning for euphoria
is all he really knows.

You wore the feather in your hat,
your fingers black with soot,
you danced because he asked you to,
a shoe on every foot.

Diamonds glitter in your hair,
you wear your virtue well,
you’re every inch a zipper girl,
as far as I can tell.

Buttons fumble under thumbs,
they just won’t come undone,
the stillness of another day in limbo
has begun.

Love is not the fearless thing
my mother said it was,
it resurrects the constant moon,
as love so often does.

It’s six a.m. in New Orleans,
we stagger home to bed,
our lives are stitched together with
a tangling of thread.

The bed lay at the bottom of
a dark abandoned well,
I rolled your name across my tongue,
preemptively, and fell.

The pillow’s stuffed with ancient dreams,
how easily they die,
if you’re the dreamer’s memory,
then who the hell am I?

Dreams take time to decompose,
there’s more to life than sleep,
the well of all eternity
is lonely, dark and deep.

I love your black cosmology,
the starlight in your eye,
rainbows hang like angels in
a pyrotechnic sky.

Anyone can disconnect,
I did it every day,
I pulled the plug and watched the fractal image
fade away.

Anything can be undone
but dreams you can’t defend,
find the crooked ladder to the bottom,
and descend.

I dropped a pin and waited for
the echo of the sound,
your milky bones abandoned
on the unforgiving ground.

We sheltered from the fire
in the shadow of his wing,
completely covered, head to toe,
though vanity is king.

The shroud that wrapped around us was
a clammy uniform,
the pleasant conversation was
the calm before the storm.

We shed our skins and went to Paris,
waiting to receive,
there are no upper limits to
the things we won’t believe.

The man who stole the microphone
complained incessantly,
he seems completely innocent of sanity
to me.

Power is contagious,
it’s the pain we can’t endure,
the man who brought us fire
thinks the devil’s heart is pure.

Death removed his velvet gloves,
a specter at the feast,
panic is contagious
in the belly of the beast.

He says the word ‘forgettable’,
he wipes the future clean,
love is just the shadow of
the silence in between.

The firewalker talks about
the beauty and the light,
his body glows like neon
in the bowels of the night.

I followed in the footsteps of his ghost,
on high alert,
he looks a bit like Elvis in a pink
Hawaiian shirt.

I paid for my vacation with
a pocketful of change,
it’s helpful to remember that
the human heart is strange.

There is no end to gravity,
your heart’s a little worn,
the child of eternity
remembers being born.

The world spins in the black abyss,
it’s what we bargained for,
I don’t know how the memory of dust
could haunt me more.

Our dreams are psychedelic,
so we never dream alone,
the darkness is the only thing
the world has ever known.

I watched as something burning fell
across the crimson sky,
there’s more to satan’s version of events,
than meets the eye.

It left a kind of mushroom cloud of
interstellar dust,
the remnants of its prophecy
embedded in the crust.

We chart its cold trajectory,
as passion often does,
as ever, it will be the frozen moon
it always was.

As for me, I’m not a fool,
I’ve seen the way you dance,
you waltz right past me every time,
without a second glance.

You dream about eternity
inside your padded cell,
serpent, with your shrouded heart in pain,
I know you well.

The floors have doors that lead to hell,
I’m bruised from falling in,
speak, and our entanglement of sorrow
will begin.

Kiss the child innocent,
and leave her in her bed,
hover over every steeple,
luminous and red.

The sky is grey with tattered clouds,
I’m starting the descent,
is this the way the demon with his wings of fire
went?

Angels plant their random seeds
on bare unfurrowed ground,
I dreamt I was your heart’s desire,
gloriously crowned.

The light was made to guide the world
from darkness into flame,
strike the match and set the world on fire
in my name.

I have no other weapon than
the one that dulls the blade,
I bleed because you tell me to,
but I am not afraid.



mt forest
January 31 and March 19 ‘17
#477

mechanical failure verse:11




Beyond superstition lies absolute silence,
I’ve been there and back, so I know,
the world is divided by lies of omission,
you’d leave, but there’s nowhere to go.


Inside us are elements fusing together,
it’s helium, learning to dance,
your brain misinterprets the heat from the fire
as love’s subatomic romance.


Obsession depends on the art of remembrance,
you can’t close the door on the dead,
their voices continue to ask for forgiveness,
leaving their bones in your bed.


The moment you stop looking over your shoulder,
you’ll feel something break in your heart,
the fragments of glass will cut through to the surface,
you’ll bleed, as the world falls apart.


Your tongue is entangled in too many vowels,
you’re stumbling naked through time,
the stairway to heaven is under construction,
you’re gasping for breath as you climb.


You said there was gold at the end of the rainbow,
you’re counting on luck to provide,
the gap between having enough to be happy or not,
is too small to divide.


You’d eat, if the tree bore the fruit of temptation,
you’d drink, if the clouds would descend,
you’d make a machine that would burn with desire,
but we’re all missing parts, in the end.


Invisible objects control our emotions
in ways that are hard to explain,
they linger like ghosts at the edge of perception,
their love’s an indelible stain.


We cover the mirrors to hide our expressions,
our faces as blank as a wall,
we would experience hours of pleasure,
if we could see beauty at all.


We made something new from the ashes of reason,
the smoke makes us cough ‘til we’re blue,
we dream about living in circular houses,
we’re mad that they never come true.


Demonic possession turns toys into monsters,
they smile, and burst into flame,
they’re monomaniacal angels of vengeance
with long unpronounceable names.


I swept up the ashes, and focused on dinner,
I looked for the corkscrew in vain,
the half-eaten cake, and the chalice of blood on the counter,
are hard to explain.


The cake was a symptom of too many birthdays,
the candles took days to blow out,
I have to admit that the animal sacrifice
gave me a moment of doubt.


The chalice was made from the skull of a raven,
the blood was a gift from the gods,
you serve it with sugar, and two fluid ounces of water,
and cardamom pods.


The clock won’t stop talking about its religion,
it sings to the moon every night,
the moon howls back with its own wild chorus,
screaming with pagan delight.


Mechanical failure is part of the problem,
dust takes its toll on the gears,
achieving the delicate balance of movement and stillness,
takes thousands of years.


Salvador Dali said art was a virgin,
a cold disassembled machine,
whether or not we’ll decipher the language of eros,
remains to be seen.


This image came from a photograph of a broken doll I found on the internet.  I normally like to work from my own photographs, but that's not always possible, and this one was so perfect I had to use it.  This was painted for an art auction at the Lindsay Gallery, but I couldn't bear to be without it, so I bought it back.  I have a hard time selling my work.  I'm o.k. giving them to my friends, because I know I'll see them again.



mt forest
November 19 2014
#291

the oracle of pain verse:6




You keep your sacred objects in
an empty mason jar,
you think that you’re anonymous,
but we know who you are.


My horoscope was written by
the oracle of pain,
though our bodies decompose,
our gilded hearts remain.


It’s hard to blame the oracle
for every dream come true,
I’d explain my version of events,
if I were you.


Death, he said, won’t hesitate
to cut you down like wheat,
a harvest of remembrance for
the carnivores to eat.


Life, he said, is missing something;
everybody knows,
it’s hard to live without a moral compass,
I suppose.


The oracle said panic was
a lily dipped in gold,
the tears of birds with scarlet eyes,
condensing in the cold.


Fame is like a garden where the weed
outshines the rose,
a bed of dark pathology,
where any flower grows.


Love is like an animal
that eats its young alive,
only those without remorse
are destined to survive.


Memories and dreams become entangled
in your sleep,
they grow like coral on the shrouded bodies
in the deep.


We lost the keys to paradise,
we broke the crystal balls,
we kept the bloody carving knives,
embedded in the walls.

We asked the god of famine to

regurgitate the bones,

he said we'd find them underneath

a pyramid of stones.


The oracle had mirrors that
distorted time and space,
bones, he said, are like the architecture
of the face.


I bring him tea and opium,
he watches as I pour,
the past, he said, is harder to remember
than before.


Time, he said, is measured by
the phases of the moon,
sure, I said, and drank the tea,
and stole the silver spoon.


We argued over water as
the house was burning down,
I wore a nest of intertwining serpents
as a crown.


He said he saw the face of satan
carved in human bone,
if I was him, and he was me,
we’d never be alone.


We played a game with tarot cards,
he wore a crown of stars,
I bet him my immortal soul
against his mason jars.


Even though I had a king,
I played the queen of hearts,
history is written by
the keeper of the charts.


mt forest

August 24 2013

#211